Performances
At the heart of this intimate documentary lies a timeless love story between controversial artist Joe Coleman and his muse and wife of 25 years, Whitney Ward. Known for his intricate portraits of serial killers and outlaws, Coleman now tackles his most challenging subject yet — a nearly seven-foot portrait of Whitney, the woman who has supported him through decades of artistic exploration into society’s darkest corners. As Coleman meticulously renders every aspect of Whitney’s life and body onto the canvas, the process becomes a high-stakes act of trust. Every biographical detail is laid bare under his unyielding gaze, fostering both intimacy and tension in their relationship.
Director Scott Gracheff gains unprecedented access to these complex creative partners, crafting a cinematic experience that immerses viewers in search of truth and beauty. The film deftly balances its exploration of Coleman’s provocative art with tender moments between the couple, revealing how their relationship has navigated the precarious balance between love, creativity and mortality. Featuring appearances by fellow art-world provocateurs Iggy Pop, Dave Navarro and Asia Argento, the documentary provides fascinating context for Coleman’s controversial work while keeping its emotional core firmly rooted in this extraordinary partnership. An intersection of art, love and the human condition, this unforgettable portrait offers a rare glimpse into the personal world behind some of contemporary art’s most challenging creations.—Jarod Neece
In a review in the New York Times critic Natalia Winkelman wrote:
“Among the selections with a New York slant, the documentaries “How Dark My Love” and “Andy Kaufman Is Me” would make an enrapturing double feature. Each examines a provocative artist sacrificing for their craft, even when that craft weirds out the mainstream. The more stylistically inventive is Scott Gracheff’s “How Dark My Love,” which profiles the bizarro painter Joe Coleman and his wife, Whitney Ward. Sweetly eccentric, the film studies the couple’s love story as Coleman undertakes a monumental opus: a massive portrait of Ward — a photographer and dominatrix by trade — surrounded by miniaturist renderings of her life’s most meaningful moments.
If Coleman’s Bosch-like painting offers one perspective of Ward — as idol and muse — “How Dark My Love” deepens the likeness by granting us access to her in intimate moments of doubt, anxiety and frustration”
March 30 2024: An evening of entertainments including an interview with filmmaker Heather Buckley followed by a burlesque show curated by Joe.
Jan 29, 2021 02:00 PM in Eastern Time (US and Canada)
Featuring Michael Bonesteel, a leading author and expert on Henry Darger, art dealer Marion Harris, who has brought the work of Morton Bartlett to international acclaim, and renowned artist Joe Coleman, this panel, moderated by critic and curator Carlo McCormick, will present a risky conversation on the outré within outsider art, and consider what place this kind of work now occupies in a body politic increasingly defined by a new social consciousness and sensitivity.
Trigger Warning: The material that will be discussed arises from private desires and urges that are not considered appropriate or normal by conventional societal standards. The panel will deal with these issues in a nonjudgemental spirit of tolerance, but is not recommended for those who may find non-hegemonic perspectives on sexuality or violence disturbing.
Image: Henry Darger “At Wickey Sansinia Christians come to rescue,” watercolor, pencil, collage, and carbon tracing on pieced paper, 19 x 44.75 in., c. 1940-1950
Interview with Heather Buckley for Special Edition Blu-ray of Born for Hell. (2021) Severin Films.
Limited Edition Blu-ray of Henry Portrait of a Serial Killer with Joe’s original poster art and interview with Heather Buckley
Directed by Anna Mikami. Joe has a cameo as a fictionalized version of himself as an eccentric collector.
Joe Coleman performs spoken word while backed by King Kahn on Sitar
Halloween 2019 Joe performed with King Khan and many others. More info: http://www.newyorknighttrain.com/
In this unique live conversation moderated by film writer and producer Heather Buckley, Joe Coleman will investigate a series of films and the ways that concepts of high and low art intersect in and around them. The first will be Gerald Kargl’s Angst (1983) and JohnParker’s Dementia aka Daughters of Horror (1955) —exploring the serial killer story. Godard’s Alphaville (1965) and Ed Wood Jr.’s Plan 9 From Outer Space (1959) —a comparison of cast and similar iconography over both works. Sam Peckinpah’s The Wild Bunch (1969) and Charles Brabin’s Beast of the City (1932) —a look at the depiction of violence; realism vs expressionism. And finally, an exploration of autopsy as performance and in cinema, the trained hand vs. the Outsider.
Tue. Sep. 11, 2018