Online and Podcasts

Selected Press Books Magazines and Newspapers Online and Podcasts Video
The Death of Art
2023
The Death of Art

“We haven’t seen things like this since the triptychs of The Renaissance.”
Click the link to check out our current episode on the latest piece by @joecolemanartist #thedeathofart #newyork #nyc #joecoleman #nyart

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Joe Coleman’s ‘100 Seconds to Midnight’ at Nolita gallery demands your concentration, and attention to detail
2023
The Villager
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Pictures from a Pandemic: Joe Coleman
2020
Whitehot Magazine of Contemporary Art

Article by Anthony Haden-Guest

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Joe Interviewed by Lydia Lunch
2020
The Lydian Spin

Performer and artist Lydia Lunch interviews Joe for her podcast, The Lydian Spin

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Joe Coleman’s Visionary Icons Of Outlaws And Depraved Souls
2019
Wonderland
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Unconstrained Paintings of Terror and Love
2019
Hyperallergic

Article by Anthony Haden-Guest on the subject of Joe’s exhibition at Andrew Edlin Gallery, 2019.

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“We Shall Make America Wonder”
2019
Time Out New York
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Interview with Joe Coleman
2018
Le Guess Who

Ahead of his performance at Le Guess Who?, shamanic painter Joe Coleman gave Le Guess Who a glimpse into his immersive work process.

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Dangerous Minds: Doorway to Joe
2017
Dangerous Minds

Richard Metzger describes the retrospective at Cal State Fullerton’s Begovich Gallery.

Doorway To Joe: The Art of Joe Coleman from DANGEROUS MINDS on Vimeo.

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‘Doorway to Joe: The Art of Joe Coleman’ Unflinchingly Looks Into the Gaping Maw of Life
2017
OC Weekly

Your ability to stomach the grotesqueries of everyday life will determine how much you’re going to get out of the Begovich Gallery’s “Doorway to Joe: The Art of Joe Coleman.” This solo exhibition by the New York artist, accessibly curated by Sara Fortson and Mike McGee, is a litany of depravity—serial killers, voyeurism, religious fanaticism, body horror and sexual shame—the kind of show that doesn’t go away even after you do. The warning at the front door about “adult themes” isn’t hype; it’s truth in advertising. Grab a magnifying glass at the entry table so you can catch every gory detail.

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