New York City. 4 pages, pen and ink, including 3-page comic: “Gezzone” (cf. Woolverine Woo-bait), and Son of Sam (under a different name here, Da Merdurer.)
Kitchen Sink Enterprises, 1977. 6-page comic, pen and ink: “Highay” (an “epilogue” to Woolverine Woo-bait and defined therein as “the final conflict.”)
Kitchen Sink Enterprises. “Forgiven But Still Hungry: A Portfolio of Drawings by Joe Coleman.” 5 pages, including prints from The Joe Coleman Portfolio (plus other such prints of the era) in addition to a one-page comic: “Ecclesiastic Gunfighter.”
