Selected Press

“Notes Towards: A Map of Devil Anse Hatfield / A Map of Joe Coleman.”

Suture: The Arts Journal volume one, October 1998

Interview re. Devil Anse Hatfield (1996) with Jack Sargeant. back cover, inside: full-color reproduction Devil Anse Hatfield.

Coleman's Use of Text in Painting

Poliester, volumen 7 número 23 Fall 1998

Feature article by Carlo McCormick on Coleman’s use of text in painting. Cover: The Man Who Walked Through Walls (1995)

“The Great Exploding Artist”

The (London) Independent May 19, 1998

“Hell Is in the Details”

Telegraph Magazine (UK) April 25, 1998

by Chris Campion

“Holy Libel”

Dazed and Confused (UK) February 1998

interview and article by Chris Campion

“Joe Coleman, the Infernal Machine”

Raygun #53, February 1998

by Johan Kugelberg

“Why I Like Joe Coleman”

World Art, issue 18 1998

by Jim Jarmusch. Cover: detail, Coal Man (1997). (Reprint of essay from Original Sin.)

“What He Sees Is What You Get”

The (Baltimore) Sun November 20, 1997

by John Dorsey

“A Look Inside an Infernal Machine”

Hot Air, April–June 1997

(A Publication of Virgin Atlantic Airways) “Shock Treatment” by Tony Thorne. Compares Coleman to Hogarth and Grosz.

"Dark Stars"

The Last Party: Studio 54, Disco, and the Culture of the Night

by Anthony Haden-Guest. New York: William Morrow, 1997. Descriptions of Coleman’s Performance Art in his “Dark Stars” chapter. (See Haden-Guest essay, in The Book of Joe, p. 23).