Selected Press

“Why I Like Joe Coleman”

World Art, issue 18 1998
1998

by Jim Jarmusch. Cover: detail, Coal Man (1997). (Reprint of essay from Original Sin.)

“What He Sees Is What You Get”

The (Baltimore) Sun November 20, 1997
1997

by John Dorsey

“A Look Inside an Infernal Machine”

Hot Air, April–June 1997
1997

(A Publication of Virgin Atlantic Airways) “Shock Treatment” by Tony Thorne. Compares Coleman to Hogarth and Grosz.

"Dark Stars"

The Last Party: Studio 54, Disco, and the Culture of the Night
1997

by Anthony Haden-Guest. New York: William Morrow, 1997. Descriptions of Coleman’s Performance Art in his “Dark Stars” chapter. (See Haden-Guest essay, in The Book of Joe, p. 23).

A Look Inside an Infernal Machine An Interview with Joe Coleman

Esoterra
1997

“Mondo Coleman: A Conversation with Joe Coleman and Candice Breitz"

Atlantica: Internacional Revista de las Artes #14 Fall 1996
1996

(in Spanish and English translation). Back cover: The Victory of Hell (1995)

“Joe Coleman’s Latter-day Saints”

Juxtapoz Spring 1996
1996

by Katharine Gates

“In the Age of Monsters: The Apocalyptic Vision of Joe Coleman”

Raw Vision: The International Journal of Intuitive and Visionary Art, number 11 Spring 1995
1995

by Martin T. Wilner. Cover: Mommy/Daddy (1994)

Joe Coleman Interview

Deathtripping: The Cinema of Transgression
1995

by Jack Sargeant. London and San Francisco: Creation Books, 1995. (Includes Coleman interview; seen in context as a “collaborator” in the subcultural movement centering on NYC underground film; see Film section, p. 213.)

A Freudian Interpretation of Joe Coleman

Argonaut “Crazies!” issue, Spring 1994
1994

San Francisco. Illustrated article by Martin Wilner. Cover: Self-Portrait (1986)